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MIDI Implementation
29
●0151: Modulation Delay
Adds modulation to the delayed sound.
No Parameter Value Description
1
Delay Left
Mode
0–1 ms, note
When this is set to “note,” the
e ect is synchronized with the
tempo.
2 Delay Left 0–127 1–1270 ms
Adjusts the time until the
delay sound is heard. (Hz)
3 Delay Left 0–21 note
Adjusts the time until the
delay sound is heard. (note)
4
Delay Right
Mode
0–1 ms, note
Settings of the Delay Right
The parameters are the same
as for the Delay Left.
5 Delay Right 0–127 1–1270 ms
6 Delay Right 0–21 note
7
Feedback
Mode
0–1
Normal,
Cross
Selects the way in which delay
sound is fed back into the
e ect.
8 Feedback 49–89 0–+80%
Adjusts the amount of the
delay sound that’s fed back
into the e ect.
9 HF Damp 0–17
200–8000 Hz,
Bypass
Adjusts the frequency above
which sound fed back to the
e ect is ltered out. If you
don’t want to lter out any
high frequencies, set this
parameter to Bypass.
10 Rate Mode 0–1 Hz, note
When this is set to “note,” the
e ect is synchronized with the
tempo.
11 Rate 1–127
0.05–10.00
Hz
Frequency of modulation (Hz)
12 Rate 0–21 note
Frequency of modulation
(note)
13 Depth #1 0–127 0–127 Depth of modulation
14 Phase 0–90 0–180 deg Spatial spread of the sound
15 Low Gain 0–30 -15–+15 dB
Gain of the low frequency
range
16 High Gain 0–30 -15–+15 dB
Gain of the high frequency
range
17 Balance #2 0–100
D100:0W–
D0:100W
Volume balance between the
direct sound (D) and the delay
sound (W)
18 Level 0–127 0–127 Output level
●0152: Triple Tap Delay
Produces three delay sounds; center, left and right.
No Parameter Value Description
1
Delay Left
Mode
0–1 ms, note
When this is set to “note,” the
e ect is synchronized with the
tempo.
2 Delay Left 0–127 1–2540 ms
Adjusts the time until the
delay sound is heard. (Hz)
3 Delay Left 0–21 note
Adjusts the time until the
delay sound is heard. (note)
4
Delay Right
Mode
0–1 ms, note
Settings of the Delay Right
The parameters are the same
as for the Delay Left.
5 Delay Right 0–127 1–2540 ms
6 Delay Right 0–21 note
7
Delay Center
Mode
0–1 ms, note
Settings of the Delay Center
The parameters are the same
as for the Delay Left.
8 Delay Center 0–127 1–2540 ms
9 Delay Center 0–21 note
10
Center
Feedback #1
49–89 0–+80%
Adjusts the amount of the
delay sound that’s fed back
into the e ect.
No Parameter Value Description
11 HF Damp 0–17
200–8000 Hz,
Bypass
Adjusts the frequency above
which sound fed back to the
e ect is ltered out. If you do
not want to lter out any high
frequencies, set this parameter
to Bypass.
12 Left Level 0–127 0–127 Volume of each delay
13 Right Level 0–127 0–127 Volume of each delay
14 Center Level 0–127 0–127 Volume of each delay
15 Low Gain 0–30 -15–+15 dB
Gain of the low frequency
range
16 High Gain 0–30 -15–+15 dB
Gain of the high frequency
range
17 Balance #2 0–100
D100:0W–
D0:100W
Volume balance between the
direct sound (D) and the delay
sound (W)
18 Level 0–127 0–127 Output level
●0157: 3D Delay
This applies a 3D e ect to the delay sound. The delay sound will be positioned 90
degrees left and 90 degrees right.
No Parameter Value Description
1
Delay Left
Mode
0–1 ms, note
When this is set to “note,” the
e ect is synchronized with the
tempo.
2 Delay Left 0–127 1–2540 ms
Adjusts the delay time from
the direct sound until the
delay sound is heard. (Hz)
3 Delay Left 0–21 note
Adjusts the delay time from
the direct sound until the
delay sound is heard. (note)
4
Delay Right
Mode
0–1 ms, note
Settings of the Delay Right
The parameters are the same
as for the Delay Left.
5 Delay Right 0–127 1–2540 ms
6 Delay Right 0–21 note
7
Delay Center
Mode
0–1 ms, note
Settings of the Delay Center
The parameters are the same
as for the Delay Left.
8 Delay Center 0–127 1–2540 ms
9 Delay Center 0–21 note
10
Center
Feedback #1
49–89 0–+80%
Adjusts the proportion of the
delay sound that is fed back
into the e ect.
11 HF Damp 0–17
200–8000 Hz,
Bypass
Adjusts the frequency above
which sound fed back to
the e ect will be cut. If you
do not want to cut the high
frequencies, set this parameter
to Bypass.
12 Left Level 0–127
0–127
Output level of the delay
sound
13 Right Level 0–127
14 Center Level 0–127
15 Output Mode 0–1
Speaker,
Phones
Adjusts the method that will
be used to hear the sound
that is output to the OUTPUT
jacks. The optimal 3D e ect
will be achieved if you select
Speaker when using speakers,
or Phones when using
headphones.
16 Low Gain 0–30 -15–+15 dB Gain of the low range
17 High Gain 0–30 -15–+15 dB Gain of the high range
18 Balance #2 0–100
D100:0W–
D0:100W
Volume balance between the
direct sound (D) and the e ect
sound (W)
19 Level 0–127 0–127 Output Level